Touring Tirranna—Frank Lloyd Wright’s iconic home in Connecticut

Touring Tirranna: Today AD travels to Connecticut to tour Tirranna, one of legendary architect Frank Lloyd Wright’s final designs. Considered one of the greatest architects of all time, Frank Lloyd Wright produced over 1000 designs in a career spanning 70 years, revolutionizing architecture in the United States. A pioneer of organic architecture, Wright believed any building should exist in harmony with its inhabitants and surroundings–a concept that runs through the veins of Tirranna. Join Stuart Graff, president and CEO of the Frank Lloyd Wright Foundation, as he walks you through one of the final designs of Wright’s career. Archival Photos:The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York) All rights reserved. \n Additional Drone Cinematography:Udor Photography, DBA ; Marsha Charles and Albert Safdie, Coldwell Banker listing agents Director: Skylar Economy Director of Photography: Eric Brouse Editor: Tristen Rogers Talent: Stuart Graff Producer: Joel Ahumada Associate Producer: Chloe Leung, Brandon Fuhr, Pita Taing Production Manager: Melissa Heber Production Coordinator: Fernando Davila Camera Operator: Lauren Pruitt Drone Operator: Ian Dudley Sound Mixer: Jeff Gaumer Production Assistant: Shahid Barraza Post Production Supervisor: Andrew Montague Post Production Coordinator: Holly Frew Supervising Editor: Christina Mankellow Assistant Editor: Justin Symonds Additional Drone Cinematography: Udor Photography, DBA Marsha Charles and Albert Safdie, Coldwell Banker listing agents Special Thanks: Frank Lloyd Wright Foundation

Touring Tirranna
Touring Tirranna

Touring Frank Lloyd Wright’s Tirranna in New Canaan, CT

Tirranna – the Rayward-Shepherd House – is a landmark mid-century home designed by Frank Lloyd Wright in 1955. Nestled on a 15-acre wooded estate with a pond and waterfall, the house epitomizes Wright’s organic architecture, seamlessly blending into its lush landscapethrillist.comctinsider.com. “Tirranna” is an Aboriginal Australian word meaning “running waters,” a fitting name given the home’s tranquil riverside settingctinsider.com. Architecturally, it showcases Wright’s signature hemicycle (semi-circular) design, with expansive curving walls of glass, Philippine mahogany details, and concrete block construction that echo his Guggenheim-era stylethrillist.comarchitecturaldigest.com. Completed toward the end of Wright’s life (he died in 1959), Tirranna is one of his largest residential projects at ~7,000 sq. ft. and features unique elements like a circular pool, interior courtyard, rooftop observatory, and even a former bomb shelter turned wine cellarthrillist.comsfgate.com. An extension of the home – including the observatory and additional rooms – was finished in 1958 by Wright’s apprentices, following the architect’s plans shortly after his deathtownandcountrymag.com. Tirranna is often regarded as a late-career masterpiece; as one real estate broker noted, “If you likened it to the art world, it’s one of the masterpieces”townandcountrymag.com, exemplifying Wright’s principles of living in harmony with nature.

https://news.artnet.com/art-world/frank-lloyd-wright-tirranna-new-canaan-architecture-2423055

Tirranna’s design harmonizes with its environment – the house stretches along the Noroton River pond, embracing the water and woodsthrillist.com.

Public Tour Availability & Booking Details

Limited Public Access: Tirranna is a private residence – unlike more public Wright sites, it does not offer regular daily tours. However, architecture enthusiasts can occasionally visit during special events or by arrangement with preservation organizations. For example, the New Canaan Museum & Historical Society periodically includes Tirranna (when owners permit) in its biennial Modern House Day Tour + Symposium, a day-long event that opens multiple private mid-century homes for guided toursthrillist.com. During these events, attendees travel in small groups on shuttles or mini-buses to each property, led by knowledgeable docents or architectsnchistory.org. Advance booking is essential, as such tours are infrequent and tickets sell out quickly. Check the Historical Society’s “Events” page or local architectural forums for announcements of any upcoming Tirranna tour dates. In the past, ticketing has been handled online via the organizing institution’s website. For instance, the Modern House Day Tour requires purchasing tickets in advance (often priced in the hundreds of dollars for a multi-house tour with lectures or lunch) – in 2025 it was a full-day guided bus tour from 9:15am to 4:30pmnchistory.org. Prices and packages vary by event; some offer basic admission while others sell patron-level tickets as fundraisers. Always refer to the official event page for the latest schedule and pricing.

Frank Lloyd Wright Conservancy Events: Another way tours occur is through the Frank Lloyd Wright Building Conservancy or other preservation groups. Tirranna has occasionally opened for one-time group tours in conjunction with conferences or fundraisers. For example, during the Conservancy’s annual conference in 2017 (celebrating Wright’s 150th birthday), attendees were invited to tour Tirranna as a conference highlightrelevanceinternational.com. Such opportunities are rare and typically limited to registered conference-goers or members of preservation societies. If you’re a Wright enthusiast, joining the FLW Conservancy or local modernist groups can provide notice of “Wright home tours” in the region.

How to Book: When a public tour is available, booking is usually done online via the host organization. The Historical Society or Conservancy will publish event details with a link to reserve spots. Be prepared to choose a specific time slot (tours might be staggered throughout a day) and pay in advance. No on-site or walk-up tickets are offered since these are private-home visits. It’s wise to join mailing lists (e.g. the New Canaan Historical Society’s newsletter or the FLW Conservancy alerts) to hear about Tirranna tour announcements. If you represent a group (e.g. an architectural school or private tour group), you might try contacting the New Canaan Historical Society to inquire about a private group visit. They indicate willingness to discuss private tours by appointmentnchistory.orgnchistory.org, though access to Tirranna would still require the owner’s permission. In practice, most group visits happen as part of the organized events described above, rather than stand-alone tours of Tirranna.

Tour Restrictions: Because Tirranna remains a private home, age and capacity restrictions often apply. Expect a minimum age (commonly around 10–12 years and up) for tour attendees, both for safety and to prevent disruptions. (For comparison, the nearby Glass House site requires children to be 10+ and bans infants on its shuttletheglasshouse.org.) Strollers and large bags are likely not allowed inside the house. Accessibility is somewhat limited – Tirranna’s 1950s design includes narrow passages, steps, and no elevators, which can make wheelchair access difficultrelevanceinternational.com. Event organizers may not be able to accommodate those with severe mobility constraints inside the home. If you have accessibility needs, contact the tour organizers in advance to see if any arrangements can be made (at minimum, parts of the exterior grounds might be viewable). Photography policies for interior tours tend to be strict: generally, no flash, tripods, or professional photography is permitted, and some owners may request no indoor photos at alltheglasshouse.org. Typically, you may snap exterior pictures for personal use, but respect the guide’s instructions on photography and refrain from touching anything inside the house. Remember, you are effectively a guest in someone’s home – follow any etiquette guidelines given (booties over shoes, staying with the group, etc.).

Getting There: Directions & Parking

Location: Tirranna is located on Frogtown Road in New Canaan, Connecticut (approximately 50 miles northeast of New York City)townandcountrymag.com. It sits in a quiet residential area about 3–4 miles from New Canaan’s downtown and train station. Driving is the most straightforward way to reach the area if you have tour tickets. From New York City, plan for about a 1 to 1.5-hour drive, depending on traffic. The route typically involves taking I-95 or the Merritt Parkway (CT-15) into Connecticut, then local roads into New Canaan (e.g. Route 123 or 124 from the Merritt Pkwy exits). From Hartford or central Connecticut, it’s roughly 1.5 hours by car: you can take I-91 south toward Meriden, then either I-95 or the Wilbur Cross/Merritt Parkway southwest toward New Canaan. New Canaan is in Fairfield County, near the border with New York’s Westchester County.

By Train: It’s quite feasible to visit via public transit from NYC. Take the Metro-North Railroad (New Haven Line) from Grand Central Terminal to New Canaan station (you’ll usually change trains at Stamford onto the New Canaan branch)theglasshouse.org. The train ride from Grand Central to New Canaan is about 70–90 minutes. Once in New Canaan, you’d need a short taxi or rideshare ride (10–15 minutes) to the Frogtown Rd area, unless a tour provides shuttle service from town. For special tours, organizers often designate a meeting point – sometimes the Historical Society at 13 Oenoke Ridge (near the train station) or a local school parking lot – and then shuttle visitors by bus to Tirrannanchistory.org. Always check the tour instructions: if transportation is provided or required, they will specify where to meet. Do not assume you can drive directly up to the house on your own, as unannounced visitors are not permitted.

Parking: On most tour days, on-site parking at Tirranna is prohibited for attendees. The property’s driveway is private and cannot accommodate a large number of visitor vehicles. If you are driving yourself to a tour, you will likely be directed to park in a designated area in downtown New Canaan (or another shuttle pickup location) and take a shuttle bus to the site. For example, the Glass House tours have visitors park in a downtown lot and use a shuttle from the Visitor Centertheglasshouse.org, and a similar approach is used for Modern House Day tours. Follow the event’s parking instructions carefully. New Canaan’s downtown has several municipal lots (such as the Park Street lot) where you can pay for all-day parkingtheglasshouse.org – some events might even offer a prepaid parking pass option. If no shuttle is provided and you have clearance to drive to Tirranna, note that Frogtown Road is a narrow residential road with no public parking lots. You would have to park along a shoulder or a pre-arranged spot at the property. Again, this scenario is rare; in almost all cases, tours arrange group transport to minimize traffic in the neighborhood.

Directions from Major Cities: If driving from Manhattan, take either I-95 N to Exit 15 (Route 7 connector) then Route 7/15 toward New Canaan, or take the Merritt Parkway (Exit 37 or 38 toward New Canaan). From Boston or Providence (if you happen to be coming from that direction, ~3 hours away), take I-95 S to Exit 15 or 38 in Connecticut. From Hartford/Springfield, use I-91 S to I-95 or I-84 W to Route 7 S – either way, you’ll end up on local routes to New Canaan. It’s wise to use GPS navigation for the final approach, as Connecticut back roads can be winding. The address (432 Frogtown Rd) may not have obvious signage, so keep an eye out for the driveway entrance as you near the GPS mark. Always allocate extra travel time on tour day – you’ll want to arrive at the meeting point at least 15–20 minutes early to check intheglasshouse.org.

Visitor Tips and Etiquette

Visiting Tirranna is a special experience. Here are some tips to make the most of your tour while being a respectful guest:

  • Timing: Plan for about 60–90 minutes on site. A guided walkthrough of the house itself may last ~45 minutes, and often you’ll have a chance to stroll the immediate grounds. Don’t rush – this is a chance to absorb details of Wright’s design and the natural setting. Past tour groups have been encouraged to examine the cabinetry, admire the mitered glass corners, snap exterior photos, and wander the 15-acre gardens at a leisurely pacerelevanceinternational.com. If you’re on a multi-home tour, the schedule might be tighter, but generally an hour is allotted per house. It’s wise to use restrooms beforehand (there may not be any public restroom at the house for visitors).

  • Photography: Ask about the photo policy at the start of your tour. Exterior photography is usually allowed (who wouldn’t want a souvenir photo of Tirranna’s stunning facade and reflecting pond?). Interior photography may be restricted. Some tours allow non-flash indoor photos for personal use, while others prohibit it entirely out of respect for the owners’ privacy and the artifacts. No tripods, drones, or professional photo shoots are permittedtheglasshouse.org. If photography is allowed, keep your flash off (to protect sensitive furnishings) and be mindful of time – don’t lag behind the group trying to get the perfect shot. The home’s dimmer interior may challenge your smartphone camera, but you’ll find plenty of breathtaking views outdoors as well. (The circular pool and curving patio are especially photogenic features of the house’s exteriorthrillist.com!)

  • Attire & Comfort: Wear comfortable shoes suitable for walking on grass or uneven paths outside. Stiletto heels would be a bad idea on the home’s original Cherokee-red concrete floors and may even be prohibited to prevent damage. You might be asked to put on protective shoe covers indoors. Dress for the weather, as parts of the tour (or waiting time) will be outdoors. The estate is heavily wooded – consider insect repellent in summer, and a coat in cooler months. Large backpacks or bags will likely need to be left in a secure spot or vehicle (to avoid accidentally bumping into priceless built-in furniture in tight spaces).

  • Etiquette: Remember that Tirranna is a private home, not a museum with roped-off areas (in fact, much of the original Wright-designed furniture is still in place and in use). Follow your docent’s guidance on where to step and which rooms or areas are open to view. Do not cross any areas that are indicated as off-limits. Avoid touching surfaces, walls, or objects unless invited – the woodwork and finishes are historic. Photography of any residents or personal items (if present) is strictly off-limits. It’s good etiquette to keep voices low inside, both to hear the guide and to maintain the serenity of the space. If you have questions, your guide will usually welcome them – a tour at Tirranna is typically led by someone passionate about architecture, so an interactive dialogue can enrich the experience for all.

  • Children: Young children are generally not allowed on Tirranna tours. The minimum age is often around 10-12 years. Even if older kids are permitted, consider whether they have the interest and patience for an architectural tour. There are open water features and fragile decor; if you do bring a teen, ensure they stay with the group. No childcare facilities are available on site, so plan accordingly.

  • Accessibility: As noted, the house was built in the 1950s and was not designed with modern accessibility codes. There are multiple levels (at least one short staircase between wings), narrow doorways, and portions of the tour route that involve stepping outside onto lawns or stone pathsrelevanceinternational.com. If you use a wheelchair or have limited mobility, reach out to organizers well in advance. They may be able to accommodate you for an exterior-only portion of the visit, but full interior access is not wheelchair accessible in a historic home like this. There are no elevators or ramps within Tirranna. That said, the beauty of the setting can still be appreciated from the driveway or courtyard level if special arrangements are made.

  • Amenities: Note that there are no food or drink concessions at Tirranna. It’s a private estate, so no café or gift shop (you might receive a brochure or be able to buy a guidebook through the hosting organization separately). Bathrooms – if available – might be portable toilets at the shuttle meeting area or a powder room designated for tour use. It’s smart to bring a water bottle and have a snack before or after, especially if you’re doing a long tour day. New Canaan’s town center (see below) is the best place to find coffee, lunch, and restrooms before heading to the tour.

https://news.artnet.com/art-world/frank-lloyd-wright-tirranna-new-canaan-architecture-2423055

The home’s curving patio and circular pool are highlights of Tirranna’s design (seen here from the exterior). Visitors should wear comfortable shoes to walk this expansive terrace and the surrounding grounds.thrillist.com

Nearby Attractions & Dining in New Canaan

One benefit of touring Tirranna is that you’re in the midst of Connecticut’s “Modernist Alley.” New Canaan is famed for its concentration of mid-century modern architecture (the “Harvard Five” architects built many homes herethrillist.comthrillist.com). Consider extending your visit to enjoy these nearby attractions and the charming town itself:

Architectural Sights:

  • The Glass House (Philip Johnson, 1949): Just a few miles from Tirranna, Philip Johnson’s Glass House is a must-see for architecture fans. This National Trust Historic site offers multiple tours from April through Decembertheglasshouse.org. You’ll experience the iconic glass-walled house and its 49-acre landscape dotted with modern pavilions and art galleries. Tours depart from the Visitor Center in downtown New Canaan (advance tickets required). The Glass House and Tirranna complement each other – one a transparent minimalist pavilion, the other a sprawling organic estate – demonstrating two very different takes on blending architecture with nature. (If time permits, book a morning Glass House tour and an afternoon Tirranna visit or vice-versa.)

  • Gores Pavilion at Irwin Park: A small gem for mid-century lovers, this 1960 pool house (by Landis Gores, one of the “Harvard Five”) is the only other modern house in New Canaan regularly open to the publicthrillist.com. It’s now a mini-museum and can be viewed by appointment through the New Canaan Historical Societythrillist.com. The pavilion’s design was influenced by Wright’s principles (horizontal lines, integration with landscape) and it often hosts exhibits. Irwin Park itself is a lovely spot for a short walk.

  • Grace Farms: A 10-minute drive from downtown, Grace Farms is a contemporary architectural attraction – a 2015 riverside complex designed by Pritzker-winning firm SANAA. Nicknamed “The River Building” for its snaking, glass-enclosed roofline, Grace Farms is open to the public with free admission and welcomes visitors to explore its 80 acres of open meadows, walking trails, and modern structuresthrillist.comthrillist.com. It’s part community center, part arts and nature hub. Even after touring Tirranna’s historic design, you might enjoy seeing this ultramodern architecture that likewise emphasizes harmony with the environment. (There’s also a pleasant cafeteria on site – a good pit stop for coffee or teathrillist.com.)

  • Other Modern Homes: New Canaan has numerous private modernist homes (by architects like Marcel Breuer, Eliot Noyes, John Johansen, etc.). Most are private and viewable only from the road. If you’re interested in a driving tour, pick up a map or guide from the Historical Society’s “Modern New Canaan” exhibit. For instance, you could drive by Noyes House (Eliot Noyes, 1952) or the Breuer House II on Chichester Rd. Keep in mind these are private residences; do not trespass – enjoy from the public road only.

Dining Options: After your tour, you’ll find New Canaan’s downtown has a variety of restaurants and cafes to refresh you. Here are a few popular choices (all centrally located near Elm Street and Main Street, about 10 minutes from Tirranna):

  • Solé – A top-rated Italian/Mediterranean restaurant known for its pasta, seafood, and robust wine listtripadvisor.com. Upscale yet friendly atmosphere. Great for a relaxing lunch or dinner (they’re typically open midday through evening).

  • Farmer’s Table – A cozy spot emphasizing farm-to-table American cuisinetripadvisor.com. It’s a local favorite for brunch and lunch, with fresh salads, sandwiches, and more – perfect if you want something healthy after a morning of touring.

  • Elm Restaurant – A chic New American bistro/bartripadvisor.com. Elm offers seasonal dishes crafted by a renowned chef. It’s on the higher end (ideal for foodies), and dinner here would nicely cap off a day of culture and touring.

  • Local Cafes – For something quick, New Canaan has terrific cafes like Zumbach’s Coffee (a local coffee roaster) and Dolce Italian Café for pastries. If you’re in town early, these are great for breakfast before a tour.

  • Picnic Option: If the weather’s nice, you might grab sandwiches from Tony’s Deli or Greenology (organic cafe) and have a picnic at Mead Park or Irwin Park. While you can’t picnic at Tirranna, you could enjoy lunch in a public park and reflect on the architectural wonders you’ve seen.

New Canaan also offers boutique shopping and a walkable village charm, so it’s worth a stroll down Elm Street if time allows.

Ownership & Preservation

Current Ownership: Tirranna is privately owned. In early 2024 it was purchased by an undisclosed buyer for $6 millionnews.artnet.com, following several years on and off the market. The new owners are reportedly dedicated architecture enthusiasts – the selling agent noted they were remarkably well-informed about the home’s history and design on their very first visitsfgate.com. They have made Tirranna their primary residencesfgate.com. This means there is no public managing organization in charge (unlike, say, the Glass House which is run by a trust). The owners’ stewardship is a positive sign for the house’s preservation: having bought it specifically for its architectural value, they’re expected to maintain Wright’s design meticulously. (Indeed, the property comes with original built-in furniture, custom lighting, and landscape features that the owners appear keen to preserve rather than altersfgate.com.)

Prior to this, Tirranna was long owned by Ted and Vada Stanley (from 1990 until their passing), who famously invested in a comprehensive restoration of the house in the 1990srelevanceinternational.com. The Stanleys were generous caretakers – they even allowed the 2017 Wright Conservancy conference tour, reflecting their support for preservation effortsrelevanceinternational.com. After the Stanleys, the home changed hands in 2018 (selling for $4.8M)ctinsider.comctinsider.com, and then again in 2024 to the current owners. Throughout these transitions, the Frank Lloyd Wright Building Conservancy kept a watchful eye, listing the home in its real-estate alerts and advocating for buyers who appreciate its significancerelevanceinternational.com. Fortunately, no drastic changes have been made to Tirranna – it remains a remarkably intact Wright design.

Because Tirranna is not a public museum, preservation oversight falls to local and private initiatives. The property is eligible for historic designation (it’s already listed on New Canaan’s modern houses survey and is well-known to preservationists), though it’s not a National Historic Landmark at this time. Any exterior alterations would likely undergo scrutiny by local historic review boards or the Conservancy. The good news is that the current owners’ passion effectively makes them informal curators of Wright’s legacy in Connecticut.

Managing Organization: There is no formal managing organization that administers tours or upkeep (unlike the Frank Lloyd Wright Trust that runs sites like Fallingwater or Taliesin). Instead, tours happen through partnerships – the New Canaan Museum & Historical Society coordinates when the owners agree to open the house, and the Frank Lloyd Wright Foundation/Conservancy sometimes facilitates virtual exposure (more on that below). If you need to contact someone regarding a visit, the Historical Society in New Canaan is the best starting point; they liaise with the owners for any public access requests. The Frank Lloyd Wright Building Conservancy can also field inquiries about Wright sites, but they will refer you to local channels for Tirranna.

Special Events, Virtual Tours & Seasonal Offerings

Seasonal Access: Unlike many historic houses, Tirranna doesn’t have a set “tour season.” Opportunities to visit are sporadic and often tied to special dates (for example, the Modern House Day Tour tends to occur in the fall, around October in odd-numbered yearsthrillist.com). If a tour is offered, it will likely be during mild weather months (spring or fall), since the property’s appeal is greatest when the gardens are in bloom and travel is easy. Keep an eye on September–October and May–June timeframes, when architectural organizations often schedule house tours. Note that in 2024, due to the change in ownership, there might be a lull in public openings as the new owners settle in. The Glass House tour season (April–December)theglasshouse.org draws many visitors to New Canaan, and occasionally Tirranna tours have been timed to piggyback on that interest (for instance, an open house when it was on the market, or special tours during architecture conferences).

Virtual Tours and Media: If you can’t align your schedule with an in-person tour, there have been some excellent virtual looks at Tirranna recently. In January 2024, Architectural Digest released a video as part of their “Unique Spaces” series that offers a guided walk-through of Tirranna’s interior and groundsdeseret.com. In the video, Stuart Graff (CEO of the FLW Foundation) narrates the home’s design features, giving viewers a rich sense of the space and Wright’s philosophydeseret.comdeseret.com. This 360° video tour (available on YouTube via AD’s channel) garnered hundreds of thousands of views within daysdeseret.com – a testament to the public fascination with Tirranna, which had been a mysterious, seldom-seen residence for decades. We highly recommend watching this video either before or after your visit; it’s both educational and will heighten your appreciation when you see the real thing. Additionally, the Frank Lloyd Wright Building Conservancy and the Historical Society have occasionally hosted live virtual tours or Instagram Live sessions from Tirranna, especially during 2020’s pandemic closures. These are not regular occurrences, but keeping tabs on their social media might reward you with impromptu peeks inside the house from afar.

Community Events: Given the private nature of Tirranna, don’t expect a regular events calendar on-site. However, New Canaan as a community sometimes uses its architectural heritage in events – for example, charity home tours (like the New Canaan CARES Home Tour each May) have featured notable houses in town. Tirranna hasn’t been on those more general home tours as of 2025 (they tend to showcase more readily accessible luxury homes), but if it ever were, it would be a highly publicized headline house. Preservation fundraising events are another angle: the owners might occasionally allow a small benefit event in support of the Conservancy or a local museum. These would be rare, ticketed at a high donor level, and by direct invitation or limited sale.

Upcoming Offerings: As of the latest update, there isn’t a public schedule for Tirranna tours in 2025 beyond the Modern House Day (which in 2025 focuses on other homes). But interest remains high, and it wouldn’t be surprising if by 2026 or 2027 the Historical Society arranges another Tirranna tour, especially as Wright’s work continues to captivate new generations. Keep checking official sources – the SaveWright.org site, NewCanaanMuseum.org, and reputable news outlets – for any announcements. When Tirranna was last listed for sale, it generated buzz in Architectural Digest, Dwell, Artnet, and local pressnews.artnet.com, so any future public opening will likely be noted in the press as well.

In the meantime, visiting Tirranna (when possible) is absolutely worth the logistical planning. It offers a serene, inspiring glimpse into Frank Lloyd Wright’s genius in his final years – a house that truly feels “married to the ground”thrillist.com and to the flowing water below. By following the guidance above, you’ll be well prepared to enjoy a memorable tour of this architectural treasure. Enjoy your trip to Tirranna and New Canaan!

Sources: Frank Lloyd Wright Foundation & Building Conservancy reports; New Canaan Museum & Historical Society guides; Architectural Digest and Town & Country features on Tirrannathrillist.comtownandcountrymag.comctinsider.comctinsider.comrelevanceinternational.comnchistory.orgtheglasshouse.orgtheglasshouse.orgtheglasshouse.orgtownandcountrymag.comsfgate.comsfgate.comdeseret.com, plus local news coverage (CT Insider, SFGate, Artnet) for the latest updatesctinsider.comnews.artnet.com.

Transcript

[birds singing] [gentle music]

– One of my favorite quotes

from Frank Lloyd Wright is this,

“Nature is the only body of God we see.”

What he’s saying is that nature has this sacred quality.

It’s something that we need to take care of,

that we need to treat with respect and dignity.

And because we’re a part of nature,

we also need to treat each other with respect and dignity.

This connection that Wright is trying

to build into his buildings with nature

in fact make our lives better.

Tirranna was commissioned by John Rayward in 1955,

and it’s among the last of the houses

that Frank Lloyd Wright built since he died in 1959.

While Tirranna was being built,

Wright was in New York City

working on his largest commission,

the Guggenheim Museum.

During that time, Wright fled his suite

in the Plaza Hotel and came up here to Connecticut,

because he enjoyed this house’s connection with nature.

[birds singing] [gentle music]

This is one of my favorite Frank Lloyd Wright designs,

but I’ve only ever seen it in photographs

and in the drawings that Frank Lloyd Wright

and his apprentices created.

When I walked into the space,

it really made my heart race a little bit

because it’s this beautiful intersection

of this sweeping curve of the solar hemicycle

and this rectilinear design.

I don’t think I’ve seen that

in any other Frank Lloyd Wright

property in the same way.

And it’s this beautiful expression of material

in one of the most breathtaking settings

of all of Frank Lloyd Wright’s buildings.

The setting rivals even perhaps Wright’s most famous work

Fallingwater in the way that the house engages nature.

[gentle music]

The curve in this house

is what Wright called a solar hemicycle.

What that means is that the curve

follows the movement of the sun through the day.

So the curve out here faces east,

that means it’s gathering the morning light,

and as the sun moves through the sky,

the light in the room continuously spreads and expands,

illuminating the space,

not only with that natural light,

but with the warmth of the sun.

It’s even an early form of sustainable design

because the sun is being used to heat the space,

especially in winter.

Wright loved materials, the integrity of materials,

the intrinsic character of materials,

and bringing that out was something

that was a central part of his organic architecture.

Even humble material like this concrete block,

Wright left it exposed not only to show

what the house was built from,

but also to show how the concrete itself was made.

But he does something unusual with it.

The horizontal joints

between concrete block units are deeply raked.

You see that horizontality expressed,

because that horizontality is the relationship

with the earth itself.

The vertical joints are raised a little bit,

so that they’re flush with the concrete masonry unit.

Those two things together

underscore this horizontality

and the relationship of building people

and the land itself.

He juxtaposes this material with this really warm,

wonderful Philippine mahogany,

and when you put these two things together,

sort of the coolness of the block

and the warmth of the wood,

and once again we get a bit of an emotional experience

just by the juxtaposition of materials themselves.

And if you imagine a walk through the woods,

you don’t just see one thing,

you see different kinds of trees,

shrubs, and bushes and other plants.

Nature does not like a monoculture,

that actually doesn’t really work very well.

Wright is replicating that experience on interiors

by creating these juxtapositions of material.

We also see here in the corner

in a more rectilinear part

of what’s otherwise a curve design,

we see this space that is a bit cave-like.

Wright would call this a compression space.

Space with a lower ceiling, little bit more darkness.

[gentle music]

The material that starts inside the house extends outside.

There’s this continuity of material

broken only by this thin pane of glass

that draws your eye outward,

and inside and outside start to become a bit blurred.

One of the things that Frank Lloyd Wright did

was to design all of his buildings on a grid system.

He would establish a grid to create a scale,

similar to a musical staff really,

a scale for every part of the design.

In this case, we can see that grid

very clearly expressed on the floor,

but that grid is also replicated

in the panels in the ceiling,

and even in the size of these upper clear story windows

on the curved surface of the building.

By creating that framework,

he once again creates this unified method

or this unified system for ensuring that

every aspect of the property

would be structured according to the grid.

The floor is a characteristic color

for Frank Lloyd Wright’s design.

Beautiful subdued shade of red.

Wright used many reds throughout his career,

many different shades, but he loved it

because it was a color not only found in nature,

but it’s a color that really defined us.

Of course, it’s the color of our blood,

so it gives us life.

This is the primary suite.

Today, it’s used as an office.

It’s a small space, and there’s a reason for that.

Wright wanted to connect people with other people,

even within a family,

and so he creates these designs to push you outwards.

The concrete block of the wall

lines up in an exterior planter,

so that there’s nature within the walls of the building,

even though it’s outside.

And you also encounter the pool.

You’d start your day with this connection with water,

and that’s important in this house

because the name Tirranna was selected by Wright

to signify the relationship of this house

to the Noroton River right outside the window here.

And that swimming pool really floats out

over a pond that he’s created by damning that river,

and then you have the river itself.

So there’s always this connection with running water,

Tirranna, being an Aboriginal word for running water.

You have this beautiful mitered glass window.

The post that you would normally expect

to find in the corner is gone,

and instead it’s a glass upon glass conjunction there,

which allows you this uninterrupted view of nature.

Wright can do this because of the structural techniques

that he uses where he doesn’t need a post

in the corner of the house to hold up the roof here.

Instead, he’s using cantilevers,

a technique that he’s really well known for,

to support the roof and other parts of the structure.

One of the things that you see throughout this house

is Frank Lloyd Wright’s use of built-ins,

whether it’s shelving, cabinetry, even furniture.

This is a very common element

of Frank Lloyd Wright’s properties.

He loves the shelves for a couple of different reasons.

First off, he can control where art’s being placed,

so it doesn’t start disrupting the view of nature.

But it also is something that Wright uses

to create a sense of continuity.

You’ll notice how narrow this hallway is.

There’s a reason for that.

We don’t spend time in hallways,

and Wright doesn’t want you to spend time in this hallway.

As you emerge from the bedrooms that line the space,

he really wants you to move out,

but head directly to that living space,

that big open floor plan that’s connected

with that primary view

that’s setting above the river and into the forest.

The other bedrooms of the house are also small,

but they don’t have the same visual connection to nature,

though there’s still a beautiful view of trees.

They’re small and dark.

As we said, Wright’s trying to move you

out of this personal space where you’re coming to sleep,

and into that primary open floor plan.

We not only have more built-ins,

but we have beautiful simple chairs.

I particularly love these chairs

’cause I think they’re a little bit up on their toes.

It’s a nice design.

The scale is small.

And when this house was built,

we tended to sit a little bit

more toward the earth than we do today,

and by seating us a little bit lower,

the low ceilings that we have in these rooms

don’t seem quite so low.

The space opens up as we sit down.

[gentle music]

This is now one of the many bedrooms

that exist in Tirranna,

because that primary bedroom that Wright had designed

for the Raywards was quite small,

they came back to him a few years

after the house was initially built

and asked him to design

a more expansive primary suite for them.

A much larger bedroom,

still having a connection with the natural world,

but also a huge primary bathroom suite.

And here in the bedroom,

a circular dressing area and closet.

There’s even an observatory above this bedroom suite,

so that at night, Mr. Rayward could go up

and through a telescope gaze at the stars.

The addition that was made to the house

a few years after it was initially built by Wright himself

created this wonderful interior courtyard,

allowing you to look at what had been

the primary facade of the house,

but still also embracing its connection with nature.

The trees, this beautiful wood underneath the pergola,

and even the soffit detail that breaks up the board,

so that it’s a bit more like leaves

found in nature off of a tree.

That broken line is something that

Wright uses always to try to connect us

more with the natural landscape,

since the solid line is not something

that we necessarily find in nature.

And instead of downspouts, Wright hated downspouts.

He has these little stubs and chains hanging down,

so that as it rained,

we would actually hear the water flowing,

settling into the ground,

or even the small little pool right here.

Wright wants to create this multisensory experience.

It’s not always visual in his architecture.

[gentle music]

Wright has us to descend

this beautiful floating staircase,

and now we’re back to the earth, back on the ground.

While the building,

because of Wright’s cantilever techniques,

seems to hover above the earth.

That means we’re really immersed in nature.

We’re totally connected to the land at this point,

even though we know there’s the structure above us.

Because the house had such a beautiful setting,

Wright designed it in a way that would take advantage

of the natural landscape.

He left the natural stones in situ

just where the river had placed them

hundreds if not thousands of years ago.

And he gives the house this great sense of repose,

the gray of the concrete withdrawing,

the warmth of the wood emerging,

so that the building seems

to have always belonged in this setting.

He dams this gently flowing river to create a pond,

and now we get to see the house in reflection as well.

This is a technique that we often see

in the Japanese gardens that inspired Wright,

and indeed the Raywards hired

an expert in Japanese garden design

to create the landscape for them.

He believed that a building should grace the landscape,

that the building should feel

as if it emerged naturally from the ground,

and I really think it does that here.

[gentle music]

[birds singing]

[river trickling]

When I first encountered Wright’s work

as an 8-year-old boy,

it was the space and the light that got me all excited,

’cause I’d never seen anything like it.

Today, the space and the light still excites me

because I now understand why that gives us

the feeling that it does,

why we feel different in a Frank Lloyd Wright house,

and that’s because he uses space and light

to create this sense of intimacy with the world around us.

It concerns me that there’s so much bland architecture,

it’s just functional, when what we could do

and what we should do is take

that inspiration from Frank Lloyd Wright

to give their clients a gracious way to live

as part of the world around them,

connected with everybody

and everything that will make their lives better.

[birds singing] [gentle music]

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